![]() At the Pittsburgh airport, Carlin lamented the obvious: None of the hackers would face a US courtroom anytime soon. But the news came with an inevitable caveat: “The move by the Justice Department was almost certainly symbolic,” The New York Times wrote, “since there is virtually no chance that the Chinese would turn over the five People’s Liberation Army members named in the indictment.”Ī few days later, Carlin and a Justice Department prosecutor named Adam Hickey were flying back from a meeting with the victims of the PLA hackers. ![]() It made front-page headlines across the country, instantly bumping the issue of Chinese economic espionage off the back burner of public consciousness. The press conference marked the first time the US had ever indicted individual foreign agents for cyber intrusions. Two of the men were even pictured in their crisp dress uniforms. The FBI had mocked up a bunch of “Wanted” posters, which made it strikingly clear that the hackers all shared an employer: the Chinese army. Steel, Westinghouse, and a renewable-energy outfit called SolarWorld. Attorney general Eric Holder took the podium to announce charges against five hackers for breaking into the systems of several US companies, including U.S. On Monday, May 19, 2014, nearly three months before the Garratts were whisked away into the Dandong night, the US Justice Department called a press conference at its headquarters in Washington, DC. This is the story of how the US finally achieved some leverage over China to bring a stop to more than a decade of rampant cybertheft, how a Canadian couple became bargaining chips in China’s desperate countermove, and how the game ended happily-only to start up again in recent months with more rancor and new players. President Obama pressed the issue of cyberthefts in his first meeting with President Xi in 2013, only to be met with more denials. But it was far from clear how any government or company might successfully turn back the tide of Chinese incursions. Private cybersecurity firms released a string of damning investigative reports on China’s patterns of economic espionage the US government started to talk more publicly about bringing charges against the country’s hackers. And American companies, in turn, were often inclined to play dumb and look the other way: Even as they were being robbed silly, they didn’t want to jeopardize their access to China’s nearly 1.4 billion consumers.įinally, between 20, the US began to reach a breaking point. ![]() American diplomats were skittish about upsetting a sensitive bilateral relationship. China simply denied any hand in the thefts, professing to take great umbrage at the idea. In 2012, National Security Agency director Keith Alexander called it the “greatest transfer of wealth in history,” a phrase he has regularly repeated since.Īnd yet, despite a great deal of restlessness in the ranks of law enforcement and intelligence agencies, the United States was, for years, all but paralyzed in its response to Chinese hacking. ![]() Coordinated campaigns by China’s Ministry of State Security and the People’s Liberation Army have helped steal the design details of countless pieces of American military hardware, from fighter jets to ground vehicles to robots. China’s military has gotten a leg up too. The Garratts had a strong social network in the city, so it didn’t seem odd to either of them when they were invited out to dinner by Chinese acquaintances of a friend who wanted advice on how their daughter could apply to college in Canada.Įach theft has allowed Chinese companies to bypass untold years of precious time and R&D, effectively dropping them into the marathon of global competition at the 20th mile. From their perch near the border, they helped provide aid and food to North Korea, supporting an orphanage there and doing volunteer work around Dandong itself. They lived in six different Chinese cities over the years, raising four children along the way, before settling in Dandong. The Garratts had come to China from Canada in the 1980s as English teachers. “After time in North Korea a decent cup of coffee was one of those things I was really looking forward to,” one Australian tourist wrote in early 2014. For tourists and expats, the Garratts’ coffee shop-just a short walk from the Sino-Korean Friendship Bridge-was a hub of Western conversation and comfort food. A devout Christian couple in their fifties with an entrepreneurial streak, they operated a café called Peter’s Coffee House, a popular destination in the city of Dandong, according to TripAdvisor.ĭandong is a sprawling border town that sits just across the Yalu River from North Korea. Kevin and Julia Garratt had spent nearly all of their adult lives in China.
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RELATED: 'I want Mark’s East Side to go on': Restaurant makes succession plan in Appleton For a pickup menu, visit, and to order, call 92. Mark's East Side offers dine-in and curbside pickup a mask is required if entering the establishment. Their regular menu also includes walleye, salmon, mahi mahi and lobster. Mark's is open 11 a.m. Though known for its Friday night menu, Mark's serves up fish daily. Other fish options include baked stuffed haddock, fresh lake perch, crab cakes, clam chowder, and the Fisherman’s Platter, which consists of breaded perch, deep-fried shrimp, scallops and batter-fried haddock. Mark’s Friday night menu features the popular all-you-can-eat Icelandic batter-fried haddock. That was once again emphasized at the beginning of the coronavirus pandemic, when lines of cars circled the building for curbside pickup on a Friday night. The family-run venue, which specializes is German-American cuisine, has long been an area favorite for its Friday night menu that offers several different fish fry variations. Wisconsin Ave., garnered the most votes from readers. Perhaps not surprisingly, Mark’s East Side, located at 1405 E. As such, here are some of the best fish fries in the Fox Cities, according to Post-Crescent readers. 17, or because of the below-freezing temperatures we’re hampered with at this time of year, February is a time Wisconsinites often find themselves craving fried fish. ![]() Whether in observance of Lent, which begins Feb. Readers passionately made cases for why their spot is the best in town. ![]() Which Fox Cities eatery offers the best Friday fish fry? That depends on who you ask.Ī Post-Crescent survey this past week asked readers just that. The poll returned over 100 responses highlighting 52 restaurants in the area that feature fish fries. ![]() (Starting with something like CtrlH is pretty risky if you don't know if your declarations even work. Those are the Declarations and Types in a recent project of mine - they work and have been tested. If anyone have any solution, I would be really aprreciate. All the code I found in the internet, include in stack exchange ( SendInput VB Basic Example) won't work. However when it comes to run the SUB Ctrl_H(), it seems that it cant be run even enormous the amount of work I put in. So when I run the code, it found the Chrome windows easily. Private Type INPUT_ ' typedef struct tagINPUT INPUT, *PINPUT ĭwPadding As Currency ' 8 extra bytes, because mouses take more.Ĭall SendInput(4, keyInput(0), sizeINPUT) Private Const KEYEVENTF_KEYUP As Long = 2 Private Const VK_PRINTSCREEN As Long = &H2C Private Const VK_CONTROL As Long = &H11 'CTRL Private Const WM_SYSKEYUP As Long = &H105 Private Const WM_SYSKEYDOWN As Long = &H104 Private Declare PtrSafe Function SendInput Lib "user32" ( _ Public Declare PtrSafe Sub Sleep Lib "kernel32" _ "GetWindowTextLengthA" (ByVal hWnd As LongPtr) As Long Private Declare PtrSafe Function GetWindowTextLength Lib "user32" Alias _ Private Declare PtrSafe Function GetForegroundWindow Lib "user32" () As LongPtr "GetWindowTextA" (ByVal hWnd As LongPtr, ByVal lpWindowText As String, ByVal nMaxCount As LongPtr) As Long Private Declare PtrSafe Function GetWindowText Lib "user32" Alias _ (ByVal hWnd As LongPtr, ByVal lpEnumFunc As LongPtr, ByVal lParam As LongPtr) As Long Private Declare PtrSafe Function EnumChildWindows Lib "user32" _ (ByVal hWnd As LongPtr, ByVal wCmd As Long) As LongPtr Private Declare PtrSafe Function GetWindow Lib "user32" _ (ByVal hWnd As LongPtr, ByVal nIndex As Long) As LongPtr Private Declare PtrSafe Function GetWindowLongPtr Lib "user32" Alias "GetWindowLongPtrA" _ (ByVal hWnd As LongPtr, ByVal wMsg As Long, ByVal wParam As LongPtr, lParam As Any) As LongPtr Private Declare PtrSafe Function SendMessage Lib "user32" Alias "SendMessageA" _ Private Declare PtrSafe Function SetForegroundWindow Lib "user32" _ (ByVal hWnd As LongPtr, ByVal nCmdShow As Long) As Boolean Private Declare PtrSafe Function ShowWindow Lib "user32" _ (ByVal hWnd As LongPtr, ByVal hWndChild As LongPtr, _īyVal lpszClass As String, ByVal lpszWindow As String) As LongPtr Private Declare PtrSafe Function FindWindowEx Lib "user32" Alias "FindWindowExA" _ (ByVal lpClassName As String, ByVal lpWindowName As String) As LongPtr Private Declare PtrSafe Function FindWindow Lib "user32" Alias "FindWindowA" _ So after read the documentation and google search, I reach to this code Option Explicit On the other hand, the SendKeys method in VBA is said to be unreliable. I choose sendinput() because sendmessage would not allow me to send a combination of key at the same time, the window will receive them seperately. I want to use Sendinput function of Windows API in VBA to send a combination of keystrokes to a window, for example Ctrl H to Chrome. ![]() So yes, you can do something, you just need some light. If being eaten doesn't fall into "spell or magical effect", it's still considered as a "restrain", so "the target can also spend 5 feet of Movement to automatically escape from nonmagical restraints". From spell description: "For the Duration, the target's Movement is unaffected by difficult terrain, and Spells and other magical effects can neither reduce the target's speed nor cause the target to be Paralyzed or Restrained." While Freedom of Movement cannot counteract the blindness, it will make you free from restraint. The main effects of being swallowed are the Blindness and Restrained conditions (check the description of "Bite" for the Kraken). In this case the PC will not even be swallowed.Ģnd scenario: PC obtain freedom of movement after he is swallowed. If the target is a Large or smaller creature grappled by the kraken, that creature is swallowed.ġst scenario: PC has already freedom of movement.įor swallowing, the creature first has to grapple, and from the spell description: "The target can also spend 5 feet of Movement to automatically escape from nonmagical restraints, such as Manacles or a creature that has it Grappled" (FoM link). If your DM took a more generous reading of that line quoted above, then they could interpret "nonmagical restraints" to include anything that gives you the Restrained condition, but that's not how I read it.Īssuming you had the spell cast on you before you were swallowed, you could get out of the initial grapple that allowed the Kraken to swallow you, since it can only swallow a creature that it has previously grappled. Grappled is not Restrained, so this would not get the PC out of being swallowed. The target can also spend 5 feet of Movement to automatically escape from nonmagical restraints, such as Manacles or a creature that has it Grappled. ![]() spells and other magical effects can neither reduce the targets speed nor cause the target to be paralyzed or restrained.īeing swallowed is neither a spell nor magical effect so this paragraph doesn't help us. The relevant parts of the Freedom of Movement spell are quoted below (PHB pg 244): No, it cannot help you escape once swallowed ![]() (92.26 KiB) Viewed 11382 times (90.55 KiB) Viewed 11382 timesĭid you try to compile on your ArduinoIDE the program "Injetor_v.09" that I sent to for the STM32L476RG board? I uploaded the files, in case anyone wants to check: Ĭould someone help me with this please? How do I make this work on ArduinoIDE? I tried to reproduce the logic contained in "main.c" of the program made in STM32CubeIDE but using ArduinoIDE and including all libraries, but the errors generated are countless! With each change I make to correct them, the situation seems to get worse. Worked perfectly.Īfter that, I tried in many different ways to change the program to work with ArduinoIDE, but without success. So, in the "i2c-lcd.c" file, I had to change the slave address to 0x70h. As I am using a Robotdyn LCD i2c serial module, I used the PCA8574A chip datasheet for information on the addressing of the commands. I had to make some minor changes, such as changing the address for sending i2c commands to the LCD display model JHD204A. The author kindly provided not only the program for download but also made an explanatory video. Researching a little more, I discovered a good example of a program for STM32, but made with STM32CubeIDE: In the process of compiling the program, numerous errors arise. ![]() I've been doing some experiments, trying to compile a simple i2c communication program with an LCD display using ArduinoIDE to work on the STM32L476RG. ![]() Coordinate Conversion-Helps analysts input coordinates and convert them between several common formats including UTM, Military MGRS, DDM, DMS, DD, and USNG.Chart-Displays charts for selected features.Business Analyst-Provides a way to generate Business Analyst Infographics and Classic Reports.Bookmark-Spatial bookmarks for quick navigation.Batch Attribute Editor-Allows you to select features and update common attributes at once.Basemap Gallery-Presents a gallery of basemaps and allows you to select one.Analysis-Contains a number of tasks that allow you to perform common spatial analyses on your hosted data.Add Data-Enables end users to add data to the map by searching for layers in ArcGIS Online or ArcGIS Enterprise content, entering URLs, or uploading local files.About-Provides information about your app.The following is a list of in-panel widgets: Depending on which theme you choose, they may appear in the upper right corner of the app with the header controller (such as in the Foldable theme) or on the left side of the app with the side controller (such as in the Tab theme).Įach in-panel widget requires user interactions on the panel. By default, they are contained by a controller. In-panel widgets are available to the widget controllers and can be added to your app. Zoom Slider-Provides interactive zoom controls in the map display.Time Slider-Visualizes content within a map that contains time-aware layers.Swipe-Shows a portion of a layer or layers on top of the map.Summary-Dynamically summarizes numeric attributes for features based on the map extent.Splash-Displays content on the splash screen.Slides-Shows different views of the scene based on the slides captured in the web scene.Situation Awareness-Allows you to locate an incident on the map and analyze information from different feature layers within a specified incident area.Search-Replaces the existing Geocoder widget with support for searching and suggestions on multiple sources.Scale bar-Displays a scale bar on the map.Overview Map-Shows the current spatial extent of the map display as a gray rectangle relative to the entire spatial extent of the basemap service.Navigate-Allows you to rotate and pan the scene. ![]()
![]() There are some more explicit key scenes – a potential nighttime rape and a chilling climax – that serve to get right under our skin without making the whole premise seem ridiculous. This is the intelligent, subtle face of horror, as Polanski limits the specifics to a minimum and keeps us guessing as to how much is going on merely in the mind of Mia Farrow’s character as she comes to believe she’s been impregnated by a creepy bunch of well-to-do Manhattanites with a connection to the occult. It’s hard enough moving into a flat and trying to start a family without having to wrestle with the enveloping suspicion that your new neighbours might be satanists dead-set on parenting a demon child via you. And make no mistake: The Exorcist is most definitely a horror film: though it may be filled with rigorously examined ideas and wonderfully observed character moments, its primary concern is with shocking, scaring and, yes, horrifying its audience out of their wits – does mainstream cinema contain a more upsetting image than the crucifix scene? That it still succeeds, almost four decades later, is testament to Friedkin’s remarkable vision.Ĭast: Mia Farrow, John Cassavetes, Ruth Gordon In cutting from the clanging bazaars of Iraq to the quiet streets of Georgetown, in blending dizzying dream sequences with starkly believable human drama, Friedkin created a horror movie like no other – both brutal and beautiful, artful and exploitative, exploring wacked-out religious concepts with the clinical precision of an agnostic scientist. The first to achieve that blend with absolute certainty was The Exorcist – which perhaps explains its position as the unassailable winner of this poll. ![]() The first film to attempt to bring the two together was Rosemary’s Baby, but Polanski’s heart clearly belonged to the surreal. On the other, there were the more outrageous dream-horrors popular in Europe, the work of Hammer Studios in the UK and Mario Bava and Dario Argento in Italy, films that prized artistry, oddity and explicit gore over narrative logic. □ The 15 scariest horror movies based on true storiesĬast: Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydowīy the ’70s, horror had divided into two camps: on one hand, there were the ‘real life’ terrors of Psycho and Night of the Living Dead, films that brought horror into the realm of the everyday, making it all the more shocking. □ Cinema’s creepiest anthology horror movies Written by Tom Huddleston, Cath Clarke, Dave Calhoun, Nigel Floyd, Phil de Semlyen, David Ehrlich, Joshua Rothkopf, Nigel Floyd, Andy Kryza, Alim Kheraj and Matthew Singer ![]() There is, after all, more than one way to scare someone – and these movies do it better than all others. Some push physical boundaries gory, but others will leave you rattled using little more than shadows and suggestions. Among our picks, you’ll find psychological terrors that probe deep, universal human fears and traditional slashers that jab at our most elemental instincts for survival. It’s a fact illustrated by our list of the greatest horror movies ever made. In truth, the best horror movies cut deeper to the human condition than just about any other film experience. ![]() The current ‘elevated horror’ renaissance has also led to a reappraisal of the genre’s past as a whole, but let’s be real: the genre has never needed validation. The likes of A Quiet Place, Get Out and Hereditary are among the most lauded movies of the past decade, while crowdpleasers like M3GAN have become bona fide cultural phenomenons. It’s only in the last few years that horror’s reputation has begun to change. Video store shelves filled with formulaic slasher schlock, tarnishing even the form’s acknowledged classics. As the VHS market opened up in the 1970s and ’80s, demand for cheap content exploded, and for many fly-by-night filmmakers, the quickest way to an easy buck was to lead a bunch of attractive teenagers to the slaughter. For decades, it was cinema’s most misunderstood genre – and not without reason. It took the cinema world at large a while to come around on horror – even after a silent era that was hallmarked by Expressionist chillers like Nosferatu and The Cabinet of Dr Caligari. This piece was performed by Diana Doherty and the Goldner String Quartet at the Australian Festival of Chamber Music (July 2006) in a tremendously exciting performance. See the Benaud Trio recording of the Piano Trio version. There is a minimum of melody, replaced by a whipped-up propulsion.” – The Age, 23 August 1999. ![]() Its chief element is an amalgam – pop-cum-rock-cum-jazz. “The final Rush by Matthew Hindson is a thoroughly modern piece that mirrors the Boccherini with a compelling rhythmic drive. ![]() ” – Peter McCallum, The Sydney Morning Herald, 23 August 1999. “… And the obligatory knees-up after interval produced from Australia’s classical techno-head, Matthew Hindson, one of his most effective explorations of romantic agony and dance-floor ecstasy. The influences of popular music are clear, but Hindson is developing a very personal approach.” – Tristram Cary, The Australian, 20 August 1999. “Matthew Hindson’s Rush is a Musica Viva commission, and it certainly doesn’t hang about – its nine or so minutes contain a very large number of high-speed notes, mostly scored as an ensemble but with solos for everyone. Combined, these influences provide the listener with a fresh, accessible and culturally up-to-date musical experience. The composer, however, is not unwilling to accept the influences of more established art-music traditions, and adopts these where he feels necessary. Hindson’s now distinctive style incorporates, and is heavily based on, the music pervading contemporary popular culture. Matthew Hindson is one of a number of composers who are attempting to establish and express their place within today’s world. The playful nature of the music can also be considered as a reflection of the hedonistic nature of modern society, where a large emphasis is placed on the pursuit of pleasure and enjoyment. Rush also features a series of catchy and vibrant melodies, making the work accessible to a wide audience. The fast and mostly accelerating tempo of Rush reinforces both the title of the piece and the influence of ‘techno’ music. The playful, up-beat and repetitive rhythms found in popular music are a prominent feature of this work. Popular and, in particular, ‘techno’ music and culture have played a large role in the development of Hindson’s musical style (with his other works displaying such titles as SPEED and Homage to Metallica), and Rush is no exception. In addition to the influence of Mendelssohn, Matthew Hindson has also found inspiration in the popular music idiom. The composer remarks, “it is much more the spirit of Mendelssohn’s string writing that was influential, particularly the last movements of his string quartets and the String Octet, rather than any sort of harmony or melodic invention.” The fast and technically challenging passages found in the final movement of the Mendelssohn String Octet influenced Hindson’s decision to compose a work that is highly virtuosic in nature. Matthew Hindson’s Rush is one such piece that, while containing a mixture of these musical characteristics, in turn displays its own style unique to the composer.Īlthough it may not be apparent upon its first hearing, Hindson has used as a starting point for Rush the music of Felix Mendelssohn. ![]() ![]() Contemporary Australian composers have the opportunity to learn from and be influenced by a wealth of musical styles that have passed before them. ![]() And as for wall art, there are usually ferns and mushrooms present. As for room decor, fairy grunge enthusiasts love to adorn their homes with plants and flowers. ![]() In fashion, fairy grunge is often portrayed as a benevolent witch or forest creature. The fairy grunge aesthetic can be found in fashion, room decor and wall art. This style is perfect for anyone who wants to add a touch of magic to their lives while also keeping things gritty and edgy. The fairy grunge style combines elements of fairy tales with grunge music to create a delightful but gritty look. The aesthetic can come off boho or hippie as well - that’s the psychedelic elements in it.įairy grunge enthusiasts love the unique and charming style that the fairy grunge aesthetic brings. If you like the green and brown aesthetic, you will probably love fairy grunge too. The most used colors in fairy grunge are green for all the plants, brown for all the mushrooms or woods, and white for flowers. The aesthetic is still very different from synthwave, vaporwave or classic 60s and 70s psychedelic styles. There is an obvious backstory to this aesthetic: because the fairy witch knows a lot about mushrooms and wild herbs, there are bound to be some psychedelic elements in fairy grunge digital art. The fairy grunge aesthetic is all about combining the mood of fairy tales and grunge elements to create that gritty style. Katarzyna Mrożewska, landscape photographer, contact via IG Aesthetic iPhone Backgroundsĭiana Solonec, photographer, contact via IG Burnell, landscape photographer, contact via Īnd that’s it! If you enjoyed fairy grunge wallpapers, maybe you will enjoy these lofi aesthetic wallpapers too. Neil Burnell, landscape photographer, contact via Lena Sanver, photographer, contact and webshop on ![]() Fairy-Grunge Aesthetic Desktop Backgrounds If you’re looking for something different to brighten up your desktop or iPhone, then fairy grunge wallpapers are definitely worth checking out.Īs always, name of the artist and contact for commission at the top of their artwork set. The graphic designs are colorful and whimsical and can be quite psychedelic, but with a darker and grittier edge. In digital art, fairy grunge will keep in step with what you would use as a wall art. In room decor, you want your home to be overtaken by plants and as for wall art, there will be mostly ferns and mushrooms on them. In fashion, fairy grunge is mostly the goblin fairy vibe, a benevolent witch or a forest creature. The fairy grunge aesthetic is all about combining elements of fairy tales and grunge music to create a charming but groovy style. |
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